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A mother's love is always with her children. Losing a mother is one of the deepest sorrows a heart can know. But her goodness, her caring, and her wisdom live on-like a legacy of love that will always be with you. May that love surround you now and bring you peace. In life, we loved you dearly, in death we love you still.

In our hearts you hold a place, no one else will ever fill. I cried endlessly when you died but I promise, I won't let the tears mar the smiles that you've given me when you were alive. I know you are listening from above. There's nothing that I value more than your love. No matter where I am or what I'm doing, your memories will always keep me smiling. The world changes from year to year, our lives from day to day, but the love and memory of you, shall never pass away.

Whenever I am missing you, I also remember how fortunate I was that you were in my life. I wouldn't trade those moments for the world. Mothers never really die, they just keep the house up in the sky, They polish the sun by day and light the stars that shine at night, keep the moonbeams silvery bright and in the heavenly home above they wait to welcome those they love. The sand of time will never wash away the love that I have for you. Your sweet memory will remain forever in my heart. At age six, he wrote to his father:. Following his autobiographical novel, The Enormous Room , Cummings' first published work was a collection of poems titled Tulips and Chimneys This work was the public's first encounter with his characteristic eccentric use of grammar and punctuation.

Some of Cummings' most famous poems do not involve much, if any, odd typography or punctuation, but still carry his unmistakable style, particularly in unusual and impressionistic word order. From " anyone lived in a pretty how town " [28]. Cummings' work often does not proceed in accordance with the conventional combinatorial rules that generate typical English sentences for example, "they sowed their isn't".

In addition, a number of Cummings' poems feature, in part or in whole, intentional misspellings, and several incorporate phonetic spellings intended to represent particular dialects.


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Cummings also made use of inventive formations of compound words, as in "in Just" [29] which features words such as "mud-luscious", "puddle-wonderful", and "eddieandbill. Literary critic R. Blackmur has commented that this use of language is "frequently unintelligible because [Cummings] disregards the historical accumulation of meaning in words in favour of merely private and personal associations.

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Fellow poet Edna St. Vincent Millay , in her equivocal letter recommending Cummings for the Guggenheim Fellowship he was awarded in , expressed her frustration at his opaque symbolism. What I propose, then, is this: that you give Mr. Cummings enough rope. He may hang himself; or he may lasso a unicorn.

Stars in the Deepest Night - After the Death of a Child (Paperback)

Many of Cummings' poems are satirical and address social issues [33] but have an equal or even stronger bias toward romanticism: time and again his poems celebrate love, sex, and the season of rebirth. Cummings also wrote children's books and novels. A notable example of his versatility is an introduction he wrote for a collection of the comic strip Krazy Kat.

Cummings is known for controversial subject matter, as he wrote numerous erotic poems. He also sometimes included ethnic slurs in his writing. For instance, in his collection Xaipe: Seventy-One Poems , Cummings published two poems containing words that caused outrage in some quarters. Friends begged Cummings to reconsider publishing these poems, and the book's editor pleaded with him to withdraw them, but he insisted that they stay.

All the fuss perplexed him. The poems were commenting on prejudice, he pointed out, and not condoning it. He intended to show how derogatory words cause people to see others in terms of stereotypes rather than as individuals. William Carlos Williams spoke out in his defense. During his lifetime, Cummings published four plays. The production was directed by James Light. Relax and give the play a chance to strut its stuff—relax, stop wondering what it is all 'about'—like many strange and familiar things, Life included, this play isn't 'about,' it simply is.

Don't try to enjoy it, let it try to enjoy you.

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A Symposium to End Symposium. The play consists of dialogue between Man, the main character, and three "infrahumans", or inferior beings. The word anthropos is the Greek word for "man", in the sense of "mankind". The ballet is detailed in a "synopsis" as well as descriptions of four "episodes", which were published by Cummings in It has never been performed.

Santa Claus: A Morality was probably Cummings' most successful play. It is an allegorical Christmas fantasy presented in one act of five scenes. The play was inspired by his daughter Nancy, with whom he was reunited in It was first published in the Harvard College magazine, Wake. At the outset of the play, Santa Claus' family has disintegrated due to their lust for knowledge Science. After a series of events, however, Santa Claus' faith in love and his rejection of the materialism and disappointment he associates with Science are reaffirmed, and he is reunited with Woman and Child.

Cummings' publishers and others have often echoed the unconventional orthography in his poetry by writing his name in lowercase and without periods full stops , but normal orthography for his name uppercase and periods is supported by scholarship and preferred by publishers today. The use of lowercase for his initials was popularized in part by the title of some books, particularly in the s, printing his name in lower case on the cover and spine. In the preface to E. Moore notes Cummings "had his name put legally into lower case, and in his later books the titles and his name were always in lower case.

Jon Grossman that he preferred the use of upper case for the particular edition they were working on. Cummings can be safely capitalized; it was one of his publishers, not he himself, who lowercased his name. In , modern dancer and choreographer Jean Erdman presented "The Transformations of Medusa, Forever and Sunsmell" with a commissioned score by John Cage and a spoken text from the title poem by E. Cummings, sponsored by the Arts Club of Chicago. Erdman also choreographed "Twenty Poems" , a cycle of E.

After the Death of a Child

Cummings' poems for eight dancers and one actor, with a commissioned score by Teiji Ito. From Wikipedia, the free encyclopedia. Not to be confused with Elijah Cummings. American poet, painter, essayist, author, and playwright.

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Chicago Manual of Style 16 ed. Chicago University Press. This is Our Church. Cummings' Life". Retrieved April 27, Cummings: A Biography". Sourcebooks, Inc.